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Lego Coriolanus: How to Choreograph a Theatrical Fight Scene

In a wonderfully informative article in The Telegraph Richard Ryan talked about his work on Coriolanus at the Donmar Warehouse


I’ve worked for 20 years in theatre and film as a fight instructor and stunt coordinator, but I trained as an actor, so in many way, working in theatre always feels like coming home. My part in the production is to create an exciting fight, which has energy and pace, develops the characters and the plot – and to do it all safely.



The fight director is involved from the very beginning of a production. Wherever possible I like to sit in on rehearsals to get a better sense of the world the director is trying to create. For Coriolanus, Josie (Rourke, the director) outlined the contemporary feel of the play and talked about the Roman look. We had to merge those two elements in the fight scenes.



Research is part of how a fight is put together. I might visit museums to look at how a warrior, at that time, would have fought and moved. For Coriolanus, I looked over illustrations of Roman tactics and battles and discussed with Lucy (Osborne, the costume designer) a need for a range of movements (so that skin doesn’t chafe).

tumblr_mztgi60tS01rdte6xo3_1280Read the rest of this magnificent article at the source
Source: The Telegraph

Lego Loki

Lego Loki is an actor, film maker, and the author of Brick High-Rise. Follow him on twitter: @Loki_Lego

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